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Tablature bass guitar 12 bar blues3/9/2024 ![]() We play a riff in the C major scale 4 times Then we play a riff in the F scale 2 times Then we play a riff in the C sclae 2 times Then we play a riff in the G scale 1 time Then we play a riff in the F scale 1 time Then we play a riff in the C scale 1 time Then we play a riff in the G scale 1 time Which adds up to 12. ISBN 0-19-316121-4.I cant believe that people get this so wrong, the 12 bar blues is not one riff it is a chord sequencehere u go: For example if i were to play the 12 bar blues in C, the notes in the c major scale are C D E F G A B C the chord sequence for the 12 bar blues is the 1st note the 4th note and the 5th note in that scale. Voice Leading for Guitar: Moving Through the Changes. Engaging Music: Essays in Music Analysis. Benward, Bruce Saker, Marilyn Nadine (2003). ![]() ^ di Perna 1991, pp. 180, 80: "Brown alternates between an Fmin7 and a B7.^ Gerow & Tanner 1984, p. 37: cited in Baker 2004: "This alteration is now considered standard.". ![]() Peter Spitzer describes it as "a bop soloist's cliche to arpeggiate this chord from the 3 up to the ♭ 9." I 7 This progression is similar to Charlie Parker's " Now's the Time", " Billie's Bounce", Sonny Rollins's " Tenor Madness", and many other bop tunes. A more complicated example might look like this, where "7" indicates a seventh chord: minor and diminished 7ths) are often used just before a change, and more changes can be added. The addition of dominant 7th chords as well as the inclusion of other types of 7th chords (i.e. Dominant 7th chords are generally used throughout a blues progression. These chords are similar with slight changes, but are all centered around the same key center. There are different types of 7th chords such as major 7ths, dominant 7ths, minor 7ths, half diminished 7ths, and fully diminished 7ths. Seventh chords are a type of chord that includes the 7th scale degree (that is, the 7th note of the scale). The common quick-change, quick to four, or quick four variation uses the subdominant or IV chord in the second bar. Problems playing this file? See media help. Different flavours of blues came from the different American regions and this is a classic Chicago feel. In the original form, the dominant chord continued through the tenth bar later on, the V–IV–I–I "shuffle blues" pattern became standard in the third set of four bars: I This is a ubiquitous pattern you should know.
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